Description of princess diana photo….

I’m working on my fnm site for almost a year
I need some pictures of Faith No More that have not been seen on the net
If you have any old mags with fnm pictures or posters and willing to scan them for me.
your help and contribution will be appreciated.

metamp at hotmail dot com

i feel like a twat every time I ask the guys in the store if they have it, they’re all “Are you sure it exists?” – eh yes!!!!

i did manage to make a dvd of the videos but i only have 2 of the live performances, at least, I think it’s of the same concert…

I’ve been into just about every music store here in Glasgow and none of they’ve all pretty much said it doesn’t exist.

I’m gonna have to go old skool and buy the vhs.

Fuck.

The gig wasn’t one of their best as the mix wasn’t all that but most memorable moments were – coming on with Cuckoo For Caca and Patton doing body flips in every screamy chorus bit, playing a lot of stuff from Real Thing album which seemed strange, also Puffy fucked up the start of Ugly In The Morning and Patton stopped the song, threw his mic at Puffys drum kit and told him to concentrate! hahaha.

BUT off course that isnt the end of the comment, i have something a really damn crazy history of Mr. bungle , actually is a part of the Spruacne interview that i showed up a couple of months ago, is 1 of the freakin shits that happened on california tour and personally my favorite, anyway, hope u all like it. :8

-You guys were booed mercilessly when I saw you perform on that tour in Los Angeles.
We love that. I should say that Snocore brought back some of the fun that our first couple tours had, which was the booing. That’s the good thing that can be said about it. [laughs] I think in 1990 or 1991, we were playing in Anaheim and the Melvins were opening up for us. The crowd decided to boo the Melvins and start a “Mr. Bungle� chant while they were playing. This was around Ozma, so it was amazing seeing them in this huge venue. Anyways, they’re getting booed, so we decided to play all our songs tuned down three quarters of an octave and really slow for like, 50 minutes. And we saw streams of people in this 3,000-seat place leave while we were playing. The thing about it is, and I think this is the key to Mr. Bungle – there were about 300 people left by the end of all of that, and they had the biggest smiles you could imagine. The music was intolerable bullshit, and we now have a lot of sycophants who will kiss our ass no matter what we do, but at that time, these people hadn’t really made up their minds as to whether we were great or shitty. But then we ended up playing a real show for them once everyone was gone. And out of those 300 people, I bet you every single one of them is still buying our records. How many bands from 1991 are still making records that people are buying? You see what I’m saying? You don’t have to kiss people’s asses to have longevity or be successful.

Exactly. Just do what you do and people will get it.
And do it thoroughly and strongly, and be unbearably uncompromising about it, and those people will be with you, man. Tom Araya from Slayer came backstage after that show and was fucking yelling at us. “People paid money, you’re entertainers! That’s totally unprofessional! This is bullshit!� And I’m sitting there going, this is my hero, Tom Araya! That was a real eye opener. That whole experience, to me, was what set the tone for the rest of Mr. Bungle’s world. And California, believe it or not, kind of fits into all of that. It would be easy to make Disco Volante 2 with John Zorn and all the different people we’ve been doing things with. We could pander to that fucking crowd as easily as we could pander to the people who wanted funk-metal in 1991. And Mike and Trevor and I all came together – we’ve always remained very honest to our muse, and our muse at that point was, let’s do this gigantic… analog production. [pauses and sighs] Fucking nightmare.-